Visit Alice’s Adventures in Wonderland on Saturday, April 25, between 10 a.m. and 5 p.m. and revel in free activities for the young and young at heart. You are able to participate in writing activities with teaching artists from Austin Public Library Friends Foundation’s Badgerdog Creative Writing Program or build relationships Lewis Carroll–inspired math activities with local math literacy organization Math Happens. University of Texas at Austin museum theater students will lead visitors through the galleries. Additional activities include docent-led exhibition tours and story times into the theater. Family days are generously sustained by a grant through the Austin Community Foundation, with in-kind support supplied by Terra Toys.
Below is a schedule that is detailed
Teaching artists from Austin Public Library Friends Foundation’s Badgerdog Creative Writing Program will lead activities that are writing the top the hour from 10 a.m. through 4 p.m.
Join a tour that is docent-led of exhibition at noon, 2 p.m., and 4 p.m.
Enjoy story time into the theater at 1:15 p.m. and 3:15 p.m.
Follow University of Texas at Austin museum theater students through the galleries between 10 a.m. and noon.
Complete Lewis Carroll–inspired math activities with Math Happens as you tour the galleries.
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Before and After: “Alice’s Adventures in Wonderland” Movie Jecktors
The exhibition Alice’s Adventures in Wonderland features two 1933 toy paper film strips called Movie Jecktors. The movie strips portray two of the most extremely memorable elements of the Alice story: “Down the Rabbit Hole” and “The Mad Hatter.” Images and text are printed in three colors on 35? strips of translucent paper. The strips are rolled onto wooden dowels and stored in colorfully printed little boxes. The Movie Jecktors could have been used in combination with a toy film projector to produce a simple animation.
The Ransom Center’s Movie Jecktors required conservation before they may be safely displayed within the galleries. Both the wooden dowel together with storage box, that is manufactured from wood pulp cardboard, had a high acid content. An environment that is acidic damaging to paper. The Movie Jecktors had become brittle and discolored, and there have been many tears and losses to the paper. The movie strips was indeed repaired in past times with pressure-sensitive tapes (the common tape we all used to wrap gifts). These tapes are never appropriate for repairing paper that we desire to preserve since they deteriorate and often darken over time and may also be tough to remove once in position.
Since the Ransom Center’s paper conservator, I removed the tapes using a tool essay writer that is heated reduced the rest of the adhesive using a crepe eraser. I mended the tears and filled the losses using Japanese paper and wheat starch paste. The japanese paper was pre-toned with acrylic paint to allow these additions to blend with the original paper for the fills. Regions of ink loss were not recreated.
People to the exhibition can easily see the aspects of the filmstrips that have been damaged, but those areas are now stabilized much less distracting. This type of treatment reflects the practice of conservation to preserve, but not “restore,” the object’s original appearance. Libraries, archives, and museums today often choose the conservation approach given that it allows researchers along with other visitors a better understanding of the object’s history, including damages that occurred, which may speak to the materials utilized in the object’s creation.
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Please click on thumbnails to enlarge images.
Easter weekend hours
The Ransom Center will soon be open throughout Easter weekend, including on Friday, April 3, from 10 a.m. to 5 p.m, as well as on Saturday and Sunday from noon to 5 p.m.
Free docent-led gallery tours occur daily at noon and Saturdays and Sundays at 2 p.m. No reservations are required.
Admission is free. Your donation will support the Ransom Center’s exhibitions and programs that are public. Parking information and a map can be obtained online.
Please also be conscious that the Ransom Center’s Reading and Viewing Room is open from 9 a.m. to 5 p.m. on April 4 saturday.
Get the Harry Ransom Center’s latest news and information with eNews, a monthly email.Subscribe today.
John Crowley, whose archive resides at the Ransom Center, is an author that is american of, science fiction, and mainstream fiction. He published his first novel, The Deep, in 1975, and his 14th volume of fiction, Lord Byron’s Novel: The Evening Land, in 2005. He’s got taught creative writing at Yale University since 1993. A special 25 th -anniversary edition of his novel Little, Big will be published this spring. Below, he shares how Lewis Carroll’s Alice’s that is classic Adventures Wonderland influenced his very own work.
A crucial (best sense) reader of my work once wrote an entire essay about allusions to and quotes from Lewis Carroll’s Alice’s Adventures in Wonderland books in a novel of mine called Little, Big—a very Alice sort of title to start with. Some of the quotes and allusions, while certainly there, were unconscious; the turns of phrase and paradoxes and names in those books are so ingrained in me that they simply form part of my vocabulary. I first heard them read out loud: my older sister read them to me whenever I was about eight years of age. I don’t remember my reaction to Alice in Wonderland—except for absorbing it wholly—because for certain books read or heard at certain moments in childhood, there is no first reading: such books go into the mind and soul as if they had always been there. I do remember my reaction to Through the Looking Glass: i discovered it unsettlingly weird, dark, dreamlike (it really is in fact the greatest dream-book ever written). The shop where in fact the shopkeeper becomes a sheep, then dissolves into a pond with Alice rowing plus the sheep into the stern knitting (!)—it wasn’t scary, however it was eerie since it so exactly replicated the movements of places and things and people in my own dreams, of which I was then becoming a connoisseur. How did this book learn about such things?
Another connection that is profound have with Alice I only discovered—in delight—some years ago in (of all places) the Wall Street Journal. In an article about odd cognitive and sensory disorders, it described “Alice in Wonderland syndrome:” “Named after Lewis Carroll’s famous novel, this neurological condition makes objects (including one’s own parts of the body) seem smaller, larger, closer or even more distant than they really are. It’s more common in childhood, often in the start of sleep, that can disappear by adulthood…”
We have tried to describe this syndrome to people for years, and do not once met anyone who recognized it from my descriptions. In my experience it’s more odd a feeling than this, and much more ambivalent: I feel (or felt, as a young child, hardly ever any more) as if my hands and feet are huge amounts of miles distant from my head and heart, but during the same time I am enormously, infinitely large, and so those parts are in exactly the same spatial reference to myself as ever, as well as monstrously closer. It had been awesome within the strict sense, not scary or horrid, uncomfortable but additionally intriguing. I wonder if Carroll (Dodgson, rather) had this syndrome. I’ve thought of including it to my resume: “John Crowley came to be into the appropriately town that is liminal of Isle, Maine, and also as a child suffered from or delighted in Alice in Wonderland syndrome.”